Sky and earth. So conventional two constants in Gerhard Göschels work of the last
years can be described.
On the one hand light, curved forms can be found constantly, causing within the
viewer pictures of flying and floating. Often one thinks to face wing-armed creatures,
which, wafted around by sounds, are home in higher spheres.
On the other side dominate the hard line, the break and the sharp edge.Single pieces,
splinters of the world form, trying to sort things out, and organize one time into
symmetrical one time into cataractlike patterns.
from: Kai Michel; "The Discovery of Irony"
